According to many is that a Tintin movie should never be done, even if behind the project, support, Hergé's Tintin is a real recovery in ligne claire style of comedy-adventure written by creator Tim. Here's an argument to indicate a Blockbuster Tintin Hollywood would never work as a.
I wonder if the narrative and the character of Tintin is well suited to the way Hollywood films (especially children / family movies)scripts are in modern cinema. The problem is that each film Tintin Tintin "missing history" back, that is to say, not relatives, are not taken for its lack of family, not psychosomatic "questions" about his lack of family, etc. Tintin is a reporter adolescents characterized in a world of adventure, often with his fox terrier companion Snowy but otherwise nothing but the clothes are in, with strong qualities of loyalty, imagination, joy, perseverance and courage, but not muchthe path to an unknown fear or thought, and what makes Tintin, Tintin. I believe that a simple screen character of Tim (harmonized by the lightness of the road is outlined) is what the adventure of Tim to be so beautiful to read, especially for families and children. He is a kind of standard, like the young hero of many a fairy tale or myth: a hero, to which a bibliophile, can be easily viewed.
While this type of young, simple, mysterious hero would be the type ofwere the films that Hergé would have if he had just invented Tintin - the silent film of Harold Lloyd, Buster Keaton, Charlie Chaplin, etc. - It 's possible to display installed in such Hollywood films like today? Watch the recent Disney Winnie the Pooh, for example, go to Tigger (not the only of its kind) to go and try to trace his roots, Tigger and Piglet to find his inner pig or questions about the need Its diminutive. Then take therecent film version of Cat in the Hat, where the two boys appear to have psychological hang-ups and problems for the cat psychoanalyze. The film recently was guilty of terrible sequels and redundant Jungle Book 2, when Mowgli has its inner conflict between his early life with Baloo and his new life with people to solve.
None of this psychoanalysis is to be based on these films in this original adventure. I often question if theregular meetings on a bus life of the sofa there is therefore a normal part of life in Los Angeles, writers and producers do not really think of a single customer, not necessarily a kind of psychoanalysis, because their way through to making films.
Some children / family movies psychological treatment good stuff like The Incredibles and Shrek movie, but these tend to be films with original stories, rather than the previous films are adapted from books. Thisshoe Horning psychological problems associated with historical figures today, that just does not require that seems so wrong. But suppose that modern audiences expect this, and this could be the central dilemma. Can make a Spielberg movie, which retains the character of Tintin down to earth but in a way not to make the film seem two-dimensional to a modern audience?
Raiders of the Lost suggests that Spielberg is capable of such a jump. Althoughhero, Indiana Jones, has a machismo, sex and sarcasm, which of course a nice error Tim, was at least one heroand pleasantly simple and inexplicable a modest adventurer destined to do good deeds. Who is he and does what he does, with little need for the show, or defense with a historic context.
But the third Indiana Jones film, The Last Crusade - in which some of our childhood in Indiana and IndianaDownload a lot of movies get to the bottom of his problems with his father - one that Spielberg also drew the couch, in the widespread belief that the analyst archetypal Hollywood adventurers must also pass a bit 'of time on.
It seems a lot of that much of a Tintin movie. If it's good, beautiful, but certainly more than enough movement in his drawings ligne claire of Hergé set already, and more than enough in its kinematic controlAdventure Comics. The only positive for most people is that the new Tintin film introduces a whole new audience, a much loved character.
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